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Romantic gay movies with happy ending movie#
The movie is about an interracial couple, but it was Nanjiani’s comment from the Oscar night red carpet that drove home what I consider to be their truly groundbreaking accomplishment. The recent romantic comedy The Big Sick, written by Kumail Nanjiani and Emily V. I’m hopeful we as a culture are on the brink of a new normal when it comes to depictions of diverse characters in situations beyond the tragic and gloomy. So why wouldn’t that be reflected in fiction? Because the reality is, that’s as much a part of our lives as the sad stuff. So why should the stories about us always be about the bad stuff? We deserve the romantic comedy, the late night barfly scene, the silly, light-hearted stuff of life reflected back at us. We have the same ups and downs, highs and lows, as anybody else. (Straight white men, not everything is for you.) I want to add value to the conversation and leave my mark by contributing in a positive way, with a happy story. My intention is to spread some of that around. Where are the books and movies that convey the empowerment and joy that I feel attending the Pride parade each year, dancing in the streets to Lady Gaga or Madonna or Beyoncé, waving a rainbow flag like I just don’t care? In spite of what much LGBTQ media would have us believe, being queer doesn’t have to be a burden it can be awesome. The recent movie Carol, based on Patricia Highsmith’s brilliant novel The Price of Salt, was a thrill to watch on a big screen and it sort of ends triumphantly, I guess, but still, one of the protagonists pretty much loses everything. Even the satirical romantic comedy But I’m A Cheerleader, my favorite of the bunch and the closest any of the queer movies I discovered come to a happy ending, is centered on a conversion therapy camp to cure gay teenagers. Collectively they depict queer drug addiction and homelessness, excessive violence, and a prejudice-motivated death by stabbing. None of these films by any stretch of the imagination could be described as cheerful stories. Feinberg’s Jess becomes a “stone butch” as a direct result of severe trauma.įor years I searched out movies starring women who fall in love: Foxfire Bound All Over Me.
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Has there ever been a more self-explanatory title than The Well of Loneliness? Rubyfruit’s Molly Bolt, groundbreaking as she was for her time, still portrays a difficult to ignore hatred of masculine women. All of these hold a special place in my heart, but all of them feature main characters who suffer phenomenally on account of their gender and sexuality. I came of age on the LGBTQ stories available to me, which arose in the form of books I could get from the library: The Well of Loneliness by Radclyffe Hall Rubyfruit Jungle by Rita Mae Brown Stone Butch Blues by Leslie Feinberg. But the struggle shouldn’t always be the story. We see so many stories about the strife of coming out.
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But while those are important narratives to engage with - to peel apart so we can better understand the way the world works - the struggle shouldn’t always be the story. We see so many stories about the strife of coming out, the devastation it can wreak on relationships with family and community, the pain of living in the margins.
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But as publication day approaches, and my book is still one of the few queer love stories that doesn’t end in disaster, I think it might be worth talking about why I did this - and why I hope I’m not the last.ĭuring my lifetime, we’ve seen huge leaps in the quantity of LGBTQ stories that make it into mainstream representation - but the quality still leaves something to be desired. And normally, I also don’t yell and scream about how frustratingly rare it is to engage with a story about LGBTQ characters that doesn’t involve death or illness or some identity-based misfortune. I don’t, for example, pull up a soapbox, stand on top, and pontificate about how even with all the progress we’ve seen over the years in relation to the LGBTQ community, so much of that culture remains invisible to America at large. I generally don’t get into the nitty-gritty of why, exactly, I set out to write a novel like this. When people ask me what my new novel is about, I usually answer that it’s a romantic comedy about gender and sexuality - and specifically that it’s a love story between two women, one who’s more on the feminine side, and one who’s more on the masculine side. Sign up for our newsletter to get submission announcements and stay on top of our best work.